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Еще очень приятная вещь "08 - Twilight And Shadow". Видение Арвен... |
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У меня точно глюк - когда пересматривала "Братство...", то обратила внимание, что во время речи Боромира (совет у Элронда) звучит тема Минас-Тирита (часть, по крайней мере). ?_?
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Cкажите, пожалуйста, где можно найти текст песни "На Запад"? А то никак не найду, а помню, что он был на форуме...
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Наталиэ, пожалуйста.
http://www.theonering.net/perl/newsview/8/1069127397 |
Спасибо тебе, Bilbo Baggins!;)
Нашла все тексты песен из всей трилогии "ВК". Часть 1. The Fellowship of the Ring The Prophecy Hlasta! Quetis Ilfirimain: Corma turien te Corma tuvien Corma tultien te Huines se nutien. Tercáno Nuruva. Tuvien Corma tultien te Huinesse nutien Corma turien te Corma. Lah-stah! Kweh-tees Eel-fear-ee-mine Kore-mah too-ree-enn tay Kore-mah too-vee-enn Kore-mah tool-tee-enn Hoo-ee-nays say noo-tee-enn Too-vee-enn Kore-mah tool-tee-enn tay Hoo-een-ess-ay noo-tee-enn Kore-mah too-ree-enn tay Kore-mah. Listen! It speaks to those who were not born to die: [One] Ring to rule them [all] [One] Ring to find [them] [One] Ring to bring them [all] [And] in the Darkness bind them [The] Herald of Death To find [One] Ring, to bring them [all] [And] in the Darkness bind them [One] Ring to rule them [all], [One] Ring Aníron O môr henion i dhû: Ely siriar, êl síla. Ai! Aníron Undómiel. Tiro! Él eria e môr. I 'lîr en êl luitha 'úren. Ai! Aníron... Oh more hen-ee-on ee thoo Ell-ee see-ree-are ell see-lah Eye! Ah-near-on Oon-doh-mee-ell. Tear-oh! Ell air-ee-ah ay more Ee lear ehn ell loo-ih-thah oo-renn Eye! Ah-near-on... From darkness I understand the night: Dreams flow, a star shines Ah! I desire Evenstar. Look! A star rises out of the darkness The song of the star enchants my heart. Ah! I desire... Lament for Gandalf (solo) In gwidh ristennin, I fae narchannen I Lach Anor ed ardhon gwannen Mithrandir, Mithrandir! A Randir Vithren! Ú-reniathach i amar galen I reniad lín ne môr, nuithannen Een gweeth rees-ten-neen ee fie nar-hahn-nehn Ee Lakh Ah-nore ehd ar-thohn gwah-nehn Mee-thrahn-dear, Mee-thrahn-dear! Ah Rahn-dear Vee-threhn! Oo-reh-nee-ah-thakh ee ah-mar gall-ehn Ee reh-nee-ahd leen nay more, noo-eeth-ahn-nehn The bonds cut, The spirit broken The Flame of Anor has left this World Mithrandir, Mithrandir, O Pilgrim Grey! No more you will wander the green world Your journey has ended in darkness. Lament for Gandalf (chorus) Ilfirin nairelma nauva i nauva Ilfirin nairelma ar ullume nucuvalme Nauva i nauva melme nóren sina nairelma Eel-fear-een nire-ell-mah now-vah ee now-vah Eel-fear-een nire-ell-mah ool-loo-may noo-coo-vahl-may Now-vah ee now-vah mell-may nore-ehn see-nah nire-ell-mah Undying [is] our regret, what should be shall be Undying [is] our regret and yet we will cast all away, What should be shall be, [our] love for this land [is] our regret. O Queen Beyond the Western Seas (song of the Wood Elves) A Bereth thar Ennui Aeair! Calad ammen i reniar Mi 'aladhremmin ennorath. A Elbereth Gilthoniel I chin a thûl lín míriel... Ah Bare-ehth thar ehn-noo-ee eye-are Kahl-ahd ahm-men ee rehn-ee-are Mee ahl-ahth-rehm-meen ehn-nore-ahth Ah Ell-bare-ehth geel-tho-nee-el ee heen ah thool leen mere-ee-ell O Queen beyond the Western Seas! O light to us that wander Amid the tree-woven lands of Middle-earth. O Elbereth Star-kindler Your eyes and breath [are] like shining jewels... Song to Tinúviel (sung by Aragorn) Tinúviel elvanui Elleth alfirin edhelhael O hon ring finnil fuinui A renc gelebrin thiliol... Tin-oo-vee-ell ell-vah-noo-ee Ell-ehth ahl-fear-een eth-ell-hyle Oh hon ring feen-neel foo-ee-noo-ee Ah rehnk gehl-ehb-reen theel-ee-ole Tinúviel [the] elven-fair, Immortal maiden elven-wise, About him cast [her] night-dark hair, And arms [like] silver glimmering... In Dreams (featured in The Breaking of the Fellowship) When the cold of winter comes Starless night will cover day In the veiling of the sun We will walk in bitter rain But in dreams I can hear your name And in dreams We will meet again When the seas and mountains fall And we come to end of days In the dark I hear a call Calling me there I will go there And back again May It Be May it be an evening star Shines down upon you May it be when darkness falls Your heart will be true You walk a lonely road Oh how far you are from home Mornië utúlië [darkness has come] Believe and you will find your way Mornië alantië [darkness has fallen] A promise lives within you now May it be the shadow's call Will fly away May it be you journey on To light the day When the night is overcome You may rise to find the sun Mornië utúlië [darkness has come] Believe and you will find your way Mornië alantië [darkness has fallen] A promise lives within you now A promise lives within you now |
Часть 2.
The Two Towers The Fight (featured in Foundations of Stone) Cuiva Olórin Nárendur Tira nottolya Tulta tuolya An mauya mahtie Ter oiomornie Ter ondicilyar. Mettanna. Nurunna! Koo-ee-vah Oh-lore-in Nar-ehn-dur Tear-ah not-tole-yah Tool-tah too-ole-yah Ahn mow-ya mah-tee-ay Tare oy-oh-more-nee-ay Tare on-deek-eel-yar. Meht-tahn-nah. Noo-roon-nah! Awake Olórin Servant of fire Face your foe Summon forth your strength For you must fight Through endless dark Through chasms of stone. To the end. To the death! Evenstar (solo) Ú i vethed nâ i onnad. Si boe ú-dhanna. Ae ú-esteli, esteliach nad. Estelio han, estelio han, estelio, estelio han, estelio veleth. Oo ee veh-thehd nah ee ohn-nahd. See boh oo-thahn-nah Eye oo-ess-tell-ee, ess-tell-ee-akh nahd. Ess-tell-ee-oh hahn, ess-tell-ee-oh hahn, ess-tell-ee-oh, Ess-tell-ee-oh hahn, ess-tell-ee-oh vehl-ehth. This is not the end...it is the beginning. You cannot falter now. If you don't trust [this], trust nothing else. Trust this, trust this, trust, Trust this, trust love. Evenstar (chorus) Ú i vethed nâ i onnad. Nâ boe ú i. [Es]teliach nad, estelio han. Oo ee veh-thehd nah ee ohn-nahd. Nah boh oo ee. [Ess]tell-ee-akh nahd, ess-tell-ee-oh hahn. This is not the end...it is the beginning. You should not do this. If you trust anything, trust this. Entmoot (featured in Treebeard) Naur vi eryn, lanc i dalaf. Mathach vi geven? Nostach vi 'wilith? Máb le i nagor, Bád gurth vi ngalad firiel. Dorthach vi mar han? Dagrathach go hain? Nowr vee air-in, lahnk ee dahl-ahf. Mah-thahkh vee geh-vehn? Noh-stahkh vee wee-leeth? Mahb lay ee nah-gore Bahd gurth vee gah-lahd fear-ee-ell. Dore-thahkh vee mar hahn? Dahg-rah-thahkh go hine? The woods are burning, the ground lies bare. Do you feel it in the earth? Can you smell it in the air? The war is upon you, Death moves in the fading light. Are you part of this world? Will you join their fight? Breath of Life Uich gwennen na 'wanath ah na dhín. An uich gwennen na ringyrn ambar hen. Boe naid bain gwannathar, Boe cuil ban firitha. Boe naer gwannathach, [...] Oo-eekh gwehn-nehn nah wah-nahth ah nah theen. Ahn oo-eekh gwehn-nehn nah ring-ern ahm-bar hen. Boh nide bine gwahn-nah-thar, Boh koo-eel bahn fear-ee-thah. Boh nire gwahn-nah-thakh, [...] You are not bound to loss and silence. For you are not bound to the circles of this world. All things must pass away, All life is doomed to fade... Sorrowing you must go, [and yet you are not without hope] [Note: section in brackets is part of the poem on which the song is based, but does not appear in the actual song]. The Ents (featured in Isengard Unleashed) Rithannen i geven Thangen i harn Na fennas i daur Ôl dûr ristannen Eryn echuiannen I ngelaidh dagrar Ristar thynd, cúa tawar Dambedir enyd i ganed Si linna i 'waew trin 'ylf Isto i dur i chuiyl I ngelaidh dagrar Ree-thahn-nehn ee geh-vehn Thahn-gehn ee harn Nah fehn-nahs ee dowr Ole dur rees-tahn-nehn Air-in ay-hoo-ee-ahn-nehn Ee gell-ithe dahg-rar Rees-tar thind, koo-ah ta-war Dahm-beh-dear eh-nid ee gah-nehd See leen-nah ee 'why treen ilf Ees-toe ee dur ee hoo-eel Ee gell-ithe dahg-rar Earth shakes Stone breaks The forest [is] at [your] door The dark sleep is broken The woods have awoken The trees have gone to war Roots rend, wood bends The Ents have answered the call Through branches now the wind sings Feel the power of living things The trees have gone to war Haldir's Lament (featured in Isengard Unleashed) Ar sindarnóriello caita mornië, Ar ilye tier unduláve lumbule... Are seen-dar-noh-ree-ell-oh kay-ee-tah more-nee-ah, Are eel-yay tee-air oon-dool-ah-vay loom-bool-ay... And from grey country lies darkness, And from every direction [the] clouds slid down... Gollum's Song Where once was light Now darkness falls Where once was love Love is no more Don't say -- goodbye Don't say -- I didn't try... These tears we cry Are falling rain For all the lies You told us The hurt, the blame! And we will weep To be so alone We are lost! We can never go home So in the end I will be -- what I will be No loyal friend Was ever there for me Now we say -- goodbye We say -- you didn't try... These tears you cry Have come too late Take back the lies The hurt, the blame! And you will weep When you face the end alone You are lost! You can never go home |
Часть 3.
The Return of the King The Retreat from Osgiliath (featured in Minas Tirith) Revaíl vyrn dan mínuíal Ú galad, ú vín anor hen Cano an dregad Ú natha ored Gwanwen ost in giliath Dannen Osgiliath Reh-vile vern dahn meen-oo-ee-al Oo gah-lahd, oo veen ah-nore hen Kah-no ahn dreh-gahd Oo nah-thah ore-ehd Gwahn-wehn ost een geel-ee-ahth Dahn-nehn Os-geel-ee-ahth Black wings against a pale morning There is no more light, not in this sun Call the retreat There will be no warning The citadel of the stars is gone Osgiliath is fallen The Last Son (featured in The Steward of Gondor) Boe le henio E sí câr athad iyn Ane ah a phen I ú athelitha. Boh lay heh-nee-oh Ay see kar ah-thahd een Ah-nay ah ah fehn Oo nah-thah ore-ehd Ee oo ah-thel-ee-thah You must understand. He does the duty of two sons now. For himself; and for the one Who will not return. The Way Is Shut (featured in Twilight and Shadow) Hollen i ven In gyrth han agorer A han beriar in gyrth Hollen i ven Hole-lehn ee venn Een girth hahn ah-gore-air Ah hahn bare-ee-are een gerth Hole-lehn ee venn The way is shut. It was made by those who are dead And the Dead keep it. The way is shut. Andúril Elo! Andúril; Lach en Annûn I chatho asgannen, Ad echannen! Ay-loh! Ahn-doo-reel lahkh ehn Ahn-noon Ah-nay ah ah fehn Ee hah-tho ahs-gahn-nehn Ahd eh-hahn-nehn Behold! Andúril; Flame of the West The blade [that was] broken, [has been] remade! The Dimholt Road (featured in Ash and Smoke) Go vegil tolo hi Egor íriel firi 'Ni men hen ú veth 'war. Go veh-geel toe-loe hee Ay-gore ear-ee-ell fee-ree Nee menn hehn oo vehth war. Come armed, Or prepared to die. There is no other end to this road. The Destruction of the Ring (featured in The End of All Things) Mi naurath Orodruin Boe hedi i Vin. Han i vangad i moe ben bango. Sin eriol natha tûr în úgarnen Sin eriol um beleg úgannen Ú cilith 'war Ú men 'war Boe vin mebi Boe vin bango Me now-rahth Oh-roh-droo-een Boh hay-dee ee Veen. Hahn ee vahn-gahd ee moh behn bahn-goh. Seen air-ee-ole nah-thah toor een oo-gar-nehn Seen air-ee-ole oom behl-egg oo-gahn-nehn Oo keel-eeth war Oo mehn war Boh veen may-bee Boh veen bahn-go Into the fires of Orodruin The One must be cast. This [is] the price that must be paid. Only thus its power will be undone, Only thus a great evil unmade. There is no other choice, There is no other way. One of you must take it, One of you must pay. Not Once, Not Ever (featured in The End of All Things) Dannen le A ú-erin le regi Rang ail le iestannen Lû ail le tegin na hen. Gwannach o innen ului Ú lû erui, ului. Dah-nehn lay Ah oo-air-een lay ray-gee [hard G] Rahng ile lay yest-ahn-nehn Loo ile lay tay-geen [hard G] nah hehn Gwahn-nahkh oh een-nehn oo-loo-ee Oo loo air-oo-ee, oo-loo-ee You have fallen. And I cannot reach you. Every step I willed you on, Every moment I lead you to this. You never left my mind, Not once, not ever. Don't Let Go (featured in The End of All Things) Anírach únad Egor gurth hen Han cenin vi chen lín Egor ú-erin le devi Tellin men achae Brennin men anann Rago! Ú-erich leithio, Ú-erich o nin gwanno. Ah-near-ahkh oo-nahd Ay-gore gerth hehn Hahn keh-neen vee hen leen Ay-gore oo-air-een lay day-vee Tell-leen mehn ah-high Brehn-neen mehn ah-nahn Rah-goh! Oo-air-eekh lay-thee-oh, Oo-air-eekh oh neen gwahn-noh. You want nothing more Than this death. I see it in your eye. But I cannot let you We have come too far We have held on too long. Reach! You cannot let go, You cannot leave me. The Mountain of Fire (featured in The End of All Things) Nu dalav Úrui tuiannen na ruith Leithia Orodruin oe in phan. Ristannen i geven, Danna eliad morn. Si, na vethed Meth i naid bain I wilith úria I ardhon ban lacha! Noo dah-lahv Oo-roo-ee too-ee-ahn-nehn nah roo-eeth Lay-thee-ah oh-roh-droo-een oh een fahn. Rees-tahn-nehn ee geh-vehn, Dahn-nah ay-lee-ahd morn. See, nah veh-thehd Mehth ee nide bine Ee wee-leeth oo-ree-ah Ee ar-thon bahn lakh-ee-ah! Beneath the ground Swollen hot with anger Orodruin releases all its ruin. Earth rips asunder Black rain falls. Here at the end; The end of all things. The air is aflame, All the world is on fire! The Eagles (featured in The End of All Things) Orthannen im vi ól Coll e dû Or hiriath naur Na rovail mae sui 'waew Man prestant i ardhon? Cerithar aen illiad dim úthenin? Ore-thahn-nehn eem vee ole Kole ay doo Ore here-ee-ahth nowr Nah roh-vile my soo-ee why Mahn press-tahnt ee ar-thon? Care-ee-thar ine ill-ee-ahd deem oo-theh-neen? In a dream I was lifted up. Borne from the darkness Above the rivers of fire. On wings soft as the wind. What's happened to the world? Is everything sad going to come untrue? Aragorn's Coronation (featured in The Return of the King) Et Eärello Endorenna utúlien Sinome maruvan ar Hildinyar tenn' Ambar-metta Eht Ay-are-ell-loh ehn-dore-ehn-nah oo-tool-ee-ehn See-no-may mar-oo-vahn are Heel-deen-yar tehn Ahm-bar meht-tah. Out of the Great Sea to Middle-earth I am come. In this place I will abide, and my heirs, unto the ending of the world. Pippin's Song (featured in The Steward of Gondor) Home is behind The world ahead And there are many paths to tread Through shadow To the edge of night Until the stars are all alight Mist and shadow Cloud and shade Hope shall fail All shall fade Into the West Lay down Your sweet and weary head Night is falling You have come to journey's end Sleep now Dream -- of the ones who came before They are calling From across a distant shore Why do you weep? What are these tears upon your face? Soon you will see All of your fears will pass away Safe in my arms You're only sleeping What can you see On the horizon? Why do the white gulls call? Across the sea A pale moon rises The ships have come To carry you home And all will turn to silver glass A light on the water All souls pass Hope fades Into the world of night Through shadows falling Out of memory and time Don't say We have come now to the end White shores are calling You and I will meet again And you'll be here in my arms Just sleeping What can you see On the horizon? Why do the white gulls call? Across the sea A pale moon rises The ships have come To carry you home And all will turn to silver glass A light on the water Grey ships pass Into the West |
Наталиэ, спасибо!!! :)
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Наталиэ, я думаю эта тема звучит специально для того, чтобы показать маленькую, но всё-таки надежду, что они вновь увидят свет и Шир. И только эта надежда помогает им карабкаться наверх.
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Наталиэ, огромное спасибо за тексты песен из третьей части. :kiss:
Почитала я их - особенно всю подборку по At the end of all things (когда я саундтрек слушала, мне как раз очень хотелось понять, о чем там поется!) - и просто офигела! (уж извиняюсь за столь простонародное выражение. ;)) Ну Фран, ну дает... :swoon: ...обалдеть можно, ничего не забыла. Я в глубоком отпаде. :swoon: Жаль, что не нашла смайлика, отбивающего земные поклоны... Очень хотелось г-же Уолш эти поклоны поотбивать.:D |
Bilbo Baggins, Rika, пожалуйста!;)
Сама когда увидела эти тексты-приятно удивилась!!! Дело в том, что некоторые тексты песен есть в буклете к саундтреку, но не все!!! Например, я впервые увидела текст Song to Tinúviel ,Evenstar(из 2 части), и еще несколько текстов. А текстов к 3 части вообще в буклете нет! Я тоже задумывалась, а о чем поют на Роковой горе или в сцене с орлами?! Теперь тексты осталось только перевести;) А вообще, все тексты, действительно-потрясающие!!!! |
Наталиэ, солнце, огромное спасибо! :kiss: Просто замечательный подарок!!!
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Я насчет саундтрека...
Он вообще уже продается или еще нет-имею в виду официально? А то мне в магазине заявили, что лицензионка еще не вышла... Везет вам, скачиваете из инета... а я не знаю, что делать...только фильм и вспоминаю. Ни в одном магазине нет в наличии... |
Ainedil, ;) :beer:
Лотиэн, я в "Союзе" покупала официальный саунд на кассете. На дисках не видела. |
Ell-bare-ehth
Наталиэ, очень здорово было наконец с твоей помощью найти тексты :)
Только одно меня в них смутило... Кто-нибудь понял, что значат растянутые строчки типа Ah Bare-ehth thar ehn-noo-ee eye-are Kahl-ahd ahm-men ee rehn-ee-are Mee ahl-ahth-rehm-meen ehn-nore-ahth Ah Ell-bare-ehth geel-tho-nee-el ee heen ah thool leen mere-ee-ell Mee ahl-ahth-rehm-meen ehn-nore-ahth Ah Ell-bare-ehth geel-tho-nee-el похоже (отдалённо) на O galadremmen ennorath A Elbereth Gilthoniel, а остальное :rolleyes: |
Поясняю: тексты написаны по таким группам:
Song Title Elvish Lyrics Pronunciation English Translation Т.е., насколько я поняла, сначала идет оригинальный текст (например на эльфийском), затем текст написан так, как его следует читать, потом он же на английском. А дефисы между слогами "Ell-bare-ehth" означают, что слоги поются растянуто, слова разбиваются в песне на слоги. |
Кстати, в первом фильме, когда Боромир говорит про Гондор играет тема Андрила!
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вчера ночью на ТВЦ был фильм "Паук" (Франция-Канада-Великобритания). Угадайте кто музыку писал :)
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Belaraniel, так значит это были не проблемы со слухом. Хотя... "Andril" (на вкладыше диска "AndUril" - легкое замешательство - может, это ошибка?) - это, кажется, о мече... А при чем к Боромиру Андрил? Там, скорее, часть "Minas Tirith".
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Почему ошибка? Anduril.
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Bilbo Baggins, спасибо, утешил. А то я уже решила, что это очередное издевательство пиратов. :D Диск-то не лицензионный.
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скачла тему Арагорна и Арвен. Какая музыка, когда Арвен равзорачивается и скачет обратно! Выносите меня!
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Наталиэ - огромный респект за тексты, давно искала их. Попоём теперь! :) :o
Belaraniel - спасибо за ссылку! Сижу качаю музыку из FotR, тоже везде искала не могла скачать. Зато третий саундтрек у меня уже полностью. Не могу наслушаться. Любимые темы: 1 Hope and Memory, 2The Steward Of Gondor, 3Twilight and The Shadow, 4The End Of All Things, 5The Grey Havens, и конечно же 6 Into The West! (да практически все нравятся) Под 1,3,6 могу запросто расплакаться, до того они на меня действуют! :cry: |
Господа, никому не попадался текст второй песни Леннокс к ROTK - "Use Well The Days" ?
Буду очень признательна, если его кто-нибудь выложит или даст ссылку, где можно прочесть глазами. Или просто подскажет? Там есть пара строчек, которые я со слуха никак не разберу. Пока что я разобрала следующее: USE WELL THE DAYS Round the corner there may wait A new road or a secret gate And though I have passed them by A day will come I will take the hidden path that run West of the Moon and East of the Sun I'm glad that you are here with me [???????] Night too shall be beautiful and blessed and it's fear will pass I must leave, must cross the Sea The love you gave is all I take with me Use well the days Use well the days Turn your face to the green world Use well the days Seven stars and seven stones And one White Tree [????????] Use well the days Use well the days Turn your face to the green world Use well the days |
Вот она:
Annie Lennox "Use Well The Days" Around the corner there may wait A new road or a secret gate, And though I have passed them by, A day will come... I will take the hidden paths that run West of the moon, and East of the sun. I'm glad that you are here with me, Here at the end of all things. Night, too, shall be beautiful, And blessed, and its fear will pass. I must leave, must cross this sea; The love you gave is all I take with me. Use well the days, Use well the days... Turn your face to the green world, Use well the days. Seven stars and seven stones And one White Tree, From all the sundered seas... Use well the days, Use well the days... Turn your face to the green world. Use well the days. |
Спасибо, Наталиэ. Теперь все поняла.
Мне, если честно, Use Well The Days нравится больше, чем Into the West. Леннокс здесь мягче использует свой голос и не раздражает меня. А к припеву Into the West в ее исполнении я так и не смогла приспособится, к сожалению. :( Уж очень он крикливый и форсированный на мой вкус. Каждый раз морщусь и звук укручиваю... Впечатление, будто дама на стадионе поет перед многотысячной толпой. Не в настроение к этой песне. А жаль... Потому что мелодия сама по себе мне очень нравится. А за стихами Фран к Into the West, как я на днях прочла, стоит не только сюжет самого романа (уход Фродо из этого мира), но и очень печальная реальная история - болезнь и смерть совсем юного мальчика из Новой Зеландии, знакомого Фран и ПиДжея. Оказывается, в титрах ROTK в самом конце есть посвящение его памяти. |
Вот, если любопытно - почитайте, кто английским владеет. Реальная история, стоявшая за песней Into The West. Статья из какого-то новозеланского издания.
Back Story of Into The West They met so they could do charitable works, this 16-year-old and these emerging legends. Less than two years later, the boy would be a true member of the family, the creator of two extraordinary short films, and lost to the world, a victim of aggressive bone cancer, which he found to the very end. This is the story of life cut short and one last loving tribute that will last forever in the memories of millions, soon to be passed from one generation to the next, lasting not only past the life of the boy but of the songwriters, the filmmakers and even the journalists who first told the tale. Cameron Duncan was just 17 when cancer took him. He was described by the New Zealand Herald as an “amateur filmmaker,” when they did a story on Fran Walsh’s acknowledgement of him from the stage of the Golden Globes, as she took home the award she shared with Howard Shore and Annie Lennox for the closing ballad of Lord of the Rings: Return of the King, "Into The West." But anyone who actually saw Cameron’s last two films – made after his cancer years began, the second just before his last battle ensued - would know that he was more than an amateur and sadly wise beyond his years. Fran Walsh has two children of her own in collaboration with Peter Jackson. But when you talk to her about Cameron, she has all the passion and caring of immediate family, slightly disconnected from her pain by the anesthesia of the endless whirlwind she and her family have been in since the November delivery of Return of the King… which occurred on the very day that Cameron passed away. Cameron Duncan became part of Peter & Fran’s life because of Peter’s support of organ donation, a movement just getting started in New Zealand. Cameron had won a number of awards for his film work in high school in the “Fair Go” program, sponsored by New Zealand’s TV One. After meeting with Peter & Fran, Cameron took on the Public Service Announcement for the cause. Soon after he made that short, Cameron’s made DFK 6498, a short with the brazen self-assurance of a man far older than 16. Set in a jail cell, Cameron’s poetic voiceover about being “inside” was interesting enough before the metaphor of his cancer became clear. Fran’s love for this boy… White shores are calling you and I will meet again. And you'll be here in my arms Just sleeping. … was very much a reflection of her love for her life mate, Peter. Fran can wave things off with a “boys and their toys” laugh. But the joy in her eyes at the thought of their delight tells the greater truth. Her art is not the same as theirs. But her passion is. You can feel her pain from across the room at just the thought of the end of a brightly burning light. Throughout 2003, Cameron and his mother, helped along by Fran’s inexhaustible efforts to learn about the disease and the possibilities of its cure, fought for a breath of fresh air, quite literally. The bone cancer had moved to Cameron’s lungs, battling for its sad survival with all the strength of the boy who would battle it to the death. Wrecked by the various bouts of Chemo, Cameron got a second wind for a short period and made Strike Zone, editing on his Mac from the hospital bed to which he soon returned. In the film, Cameron (portraying himself), too ill to play for his softball team, leads them with his words instead, and in the end, dies the death that he knew was coming. He shot his own funeral, with his mates as pallbearers, and his mother leading the procession to his grave. Soon after finishing the film Cameron returned to Texas, in the care of the best bone cancer specialist in the world, trying to complete his heroic journey by accomplishing the nearly impossible. The cancer was growing at a speed normally left to sci-fi movies. It cleared one lung, but left it so debilitated that it was literally blown apart by one strong cough by Cameron. Tumors pressed the outside of Cameron’s body, knotting on Cameron’s chest and back. The pain was overwhelming and the war was all but lost. But Cameron and his mother returned to Texas, agreeing to radical experimental treatment, rarely used on humans before. The pain of breathing in the chemicals, which Cameron described as a burning sensation, was, amazingly, a relief from the pain of the cancer itself. Fran couldn’t go to Texas to be with Cameron and his mom. Return of the King was already delivering a little late. And while the work went on in New Zealand, she and Peter had to be in London to finish the scoring with Howard Shore. As Cameron fought for the last shards of his life in Texas, Fran joined in on a collaboration with composer Howard Shore and singer/musician Annie Lennox, writing "Into The West." On the surface, the song that was about Frodo’s journey into the light at the end of the Rings trilogy… but was also about this young man who was just lost to Fran and her family, to New Zealand and to all of us. “Lay down your sweet and weary head Night is falling, you have come to journey's end. Sleep now, and dream of the ones who came before. They are calling from across the distant shore.” Cameron’s body came home on an Air New Zealand airplane that was covered by a massive image of Frodo. Life continued to trail art was just days after Cameron’s death, as he was buried in that same place, high on a hill overlooking his home, a view to last longer than a lifetime. "Into The West" was played for the first time in public that day. The song assured that Cameron’s wish not to be forgotten, expressed in Stroke Zone, would be upheld. “Gandalf: End? No, the journey doesn't end here. There's another path; one that we all must take. The gray rain-curtain of this world rolls back, and it will change to silver glass, and then you see it. Pippin: See what? Gandalf: White shores; and beyond them, a far green country under a swift sunrise.” Вообще, как я замечаю, третий фильм вытягивает за собой на свет целый шлейф реальных драм. |
Кстати, я сделала Супер открытие!Оказывается, во время совета в Ривенделле звучит тема Минас-Тирита, когда Боромир гооврит про Денетора.
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Rika, если вы знаете, где можно скачать “Use Well the Days”, укажите, пожалуйста. Кстати, это не отдельная песня, это первая версия “Into the West”, которую набросал Говард Шор после знакомства с Энни. Кажется, Фрэн в ее создании даже не участвовала.
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Tivien,
песню “Use Well the Days” можно скачать вот здесь: http://www.freewebs.com/ancalime/features.htm Думаю, Фрэн все же непосредственно участвовала в создании текста для этой песни. “Use Well the Days” по смыслу явно идет от имени Фродо, причем ее текст почти на 100% состоит из цитат из ВК - и по большей части все они действительно принадлежат Фродо (за исключением "семи звезд"). Например, "night, too, shall be beautiful and blessed, and its fear will pass" - немного переиначенные слова Фродо об Арвен, приехавшей на свадьбу с Арагорном. Правда, в контексте песни ээта фраза получает совсем иной, гораздо более печальный смысл... Но все же. Короче говоря, очень сомневаюсь, что Энни Леннокс обладает достаточным знанием текста Толкиена, чтобы создать подобный поэтический "коллаж". |
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Во-первых, мне банально не нравится тут манера исполнения Леннокс (она слишком современная, "стадионная", выбивается из стиля и атмосферы фильма и самой музыки). А еще мне не по душе то, как звучит ее голос "на максимуме". Когда Леннокс включает свою голосину на полные децибелы, лично мне это сильно бьет по ушам. ИМХО, резкий он какой-то, неприятный. А во-вторых, ну не растворяется исполнительница в песне...Сама песня-то, в сущности, о смерти, а не о чем-нибудь... О других берегах... А у дамы вдруг какой-то пионерский оптимизм прорезается. По моему ощущению, она не проживает, не чувствует то, о чем поет, а голосом своим любуется, какой он у нее сильный и замечательный. А души нет. |
A good example of a "rarity" will be on the bonus DVD that is part of the Limited Edition Return of the King soundtrack. It has a video diary about the recording of the score, as well as a special seven minute trailer from all three films. The third element, which I consider a "rarity" is a song called "Use Well The Days", which was a piece I started writing after thinking about Annie Lennox. I went to New Zealand in April, and met with Fran Walsh, who collaborated with me on "In Dreams" and “Gollum’s Song” and we thought about different artists that we might want to work with. Annie Lennox was at the top of the list.
On the way back to New York from New Zealand, I wrote Annie a letter talking about my process for the months ahead, and the film, to see if she was interested in it. When I got back, I wrote a piece called "Use Well The Days" that used words adapted from Tolkien's lyrics, because Fran hadn't started the process yet. Then when I met Annie in New York for the first time, I played her that piece - it was something I had written with her in mind. I had just put together a demo. Then she recorded it at Abbey Road during the summer. As we've worked on all these films, we've created so many things, and so many ideas - they lead you on a path - and "Use Well The Days" did exactly that. It was like an early version of "Into the West". So it's on this bonus DVD - you can hear Annie singing it. It's not in the film, and it's not on the CD, but it was recorded during the making of his movie. That is a good example of a rarity. Отсюда: http://www.soundtrack.net/features/article/?id=111 :) |
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Ура! Да здравствует Говард Шор, Фрэн Уолш и Энни Леннокс! С Оскарами их, горячо любимых!
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Такие счастливые на фотографии! А Шор так трогательно вел себя на сцене! А Леннокс даже светится от счастья!
УУУУРРРРРАААААААА!!!!!!!!!!!!!! |
Вы знаете, может, я не туда пишу, но все же...
Мне не понравилось, как Энни Леннокс на Оскаре Into the West спела... В саунде гораздо лучше, ИМХО... Может, это из-за волнения?:confused: |
честно говоря мне тоже так показалось, особенно первые строчки. Тем более, что видела как хорошо она пела на концертах. Наверное и правда перенервничала...
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А мне еще потому обидно было, что у меня мама тоже Оскар смотрела, ия ей перед выступлением Леннокс сказала: "Смотри, какая сейчас классная песня будет", мама послушала и сказала, что вообще ей нисколечко не понравилось, и "как вы можете такую музыку слушать"...
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мне еще показалось, там вначале то ли со звуком были какие-то неполадки, то ли Леннокс слишком далеко от микрофона пела - получилось почти не слышно :(
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Ainedil, natten, а мне не то что не понравилось, как Леннокс пела, скорее не понравилось как она выглядела во время песни -странно как-то. Как будто песня отдельно, а она -отдельно. Но счастлива она была -безмерно!:)
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еще бы :) :) :)
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Cкачала "Use Well The Days". Она немного напоминает песню Энии из БК.
Мне больше нравится "На Запад", чем "Use Well The Days". Первая более красивая, яркая и выразительная. ИМХО, конечно. |
А где можно "Use Well The Days" скачать ? У меня найти не получилось...
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17X, на этой странице Rika давала ссылку на песню: посмотри записи выше.
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мне тоже "На запад" больше нравится, она эмоциональней :beer:
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Наверное, это у меня такая личная заморочка... но когда мне попадается статья об интересном человеке, мне обязательно нужно увидеть его лицо... После того, как мы с вами пообсуждали историю, стоявшую за Into the West, мне страшно захотелось узнать, как же выглядел этот самый Камерон Данкан... Порылась-порылась я в инете - и нашла.
Оказалось, парнишка был в стиле Салы Бейера, наверное, наполовину маори. И выглядел старше своих 17-ти... Да, если кому интерсно, я нашла о нем любопытную, хотя и мрачную статью из новозеландской газеты. http://www.listener.co.nz/default,1150,1123,0.sm |
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